Showing posts with label quilt. Show all posts
Showing posts with label quilt. Show all posts

Friday, April 26, 2013

Progress on the Y2K Quilt reproduction

Difference in value


Last night I placed the border on the Y2KQ repro.  (Thanks to Anita Grossman Solomon for kindly providing the fabric!!! and to my longtime quilting buddy, Judy in Ohio, who met up with Anita at the Cincinnati quilt show and sent the fabric onward to Iowa!  You ladies are gems!)


If you remember, the repro is done with 1.25 inch squares, using a 1/8 inch seam on my vintage Singer 15-91.  The final quilt will be 40"x60" plus the border width. This is considerably (I do not exaggerate) smaller than the original which is a huge queen size.


As you can see there is considerable difference in value between the replacement border fabric and the original, so I felt the black inner border might blend too well with the new "2000" fabric.
Border on the repro...will bind in black



Instead I used a rather neutral fabric from my "recycled shirt" stash.  I admit, I put a few shirt squares in the quilt, too, wherever I could fit them in.  I just cannot get away from my shirt addiction. lol


I plan to baste today, hopefully. I had chemo yesterday and still have some extra energy from the steroid they infuse with the chemo.  If so, I will begin handquilting.


The original Y2KQ border
I debated hand quilting vs machine quilting (mine or professional) and decided on HQ.  Many days I do not have the gumption to sit at my machine. Secondly, I worried that MQ might not set off the quilt as well as "quiet hand quilting" might do.  Thirdly, on my more tired days I can still sit in the recliner and hand quilt. Fourthly, the original is hand quilted.


I think a black binding will be the best.


So what have YOU been doing for creative recreation?



Saturday, March 23, 2013

Upon Which I Duplicate my Y2K Quilt in Miniature

2000 1-inch squares of fabric
In 1999 I did a crazy thing.  I was a member of an online quilting forum and we began swapping packets of 2.5 inch assorted fabrics to make a 2000-piece Y2K (Year 2000) Quilt.  It was a huge success and if you google "y2k quilt" you will come up with remarkable quilts.


A few months ago I decided to reproduce my own Y2KQ in a smaller format. The original is a huge queen size. I wanted a smaller size to use as a wall quilt (art quilt). And I had plenty (shall I say PLENTY) of squares of fabric still in my stash.


Well, the 2000 pieces of my reproduction are now stitched together...almost...it is pinned to the wall in four sections so I still need to sew three horizontal seams. The original,  completed in 1999, consisted of squares 2-inches in size after stitching. The repro is done in 1-inch squares and finishes to 40 x 50 inches.  (The design is my original design.)


I still need to add the border.
My original was featured here.


My original was featured in the Spring 2001 issue of QUILT magazine along with my graphed pattern.  And it was part of a special exhibit of the Y2K quilts at the Houston Quilt show in 1999.  You can read about that exhibit here.


I still have squares left over.  And a quilting buddy in Canada can look for a packet of 950 squares in the mail to make her own Y2K quilt. As she mentioned in an email to me, she considers this a "masochistic plan". 


Vintage Singer Model 15-91 in Queen Anne cabinett
 In the meantime, I'm cleaning up my cutting table...I have a huge pile of "leavings" after cutting 2000 squares down to size.  I cut at 1.25" and used 1/8 inch seams. It was easy to do as my vintage Singer 15-91 has a 1/8 inch pressure foot. Perfect!  This has been my most used machine over the years for it is durable, easy to maintain, has great speed, and with a darning foot, I have used it to machine-quilt many a quilt.  The only maintenance I do on it is to clean and oil it periodically....no trips to the shop to pay someone else to do that...it is an easy task.  I love this machine!



Tuesday, July 10, 2012

The Quilting Biddies Have an Evening of Laughter

I was reading some old journal entries today and came upon these notes I jotted down nearly twenty years ago.  Several of us had decided to form a small quilting group and met on a regular basis at each other's homes.  Here's the conversation from one such meeting as near as I could record it.  There's actually more, but due to space, decided to omit about half the evening.
----------------------------------------------------------------------

She had been talking and telling stories. She was a natural story-teller.  The others could not keep from laughing as she spun the words, rolled her eyes, waved her hands.

"They sent his ashes home to me."  She was talking about her deceased brother-in-law.

"Did they send them UPS?"

"No, Federal Express."

"Did they insure them?"

"No, but I had to sign for them. And they wanted me to sprinkle them around the tree in the yard where they used to live."  She made a circle with her hand around an imaginary tree.

They were laughing and couldn't stop.

"But I didn't want to go down and ask the people who live there now. They'd think I was crazy."

More laughter.

"And I didn't want to go down in the middle of the night and sprinkle them like that."

Remarks and laughter.

"I told my sister I didn't think it was even legal. And I could just hear Jess if he was alive gettin' after me. He'd do that, you know, and just go on and on about it. And I wouldn't be able to sleep for days when he did that."

"So I told my sister, I said, why don't I just take them out to Blue Lake. It's nice out there. He'd like it out there. But she said, no,  she didn't want him out at Blue Lake. So I said, well, what about the Loess Hills. It's really nice out there with all those trees and things. But my sister didn't want that, either."

The others were rolling with laughter. Everytime she said something new, they laughed. She couldn't even finish a sentence before they were laughing afresh.

"So, finally, my brother came and we took the ashes out to the Missouri River. And that's what we ended up doing. He's probably spread over several states by now."

They laughed and someone asked, "Tell us about the Aztec casket."

"Well, I was down there (in Mexico for the winter) with my sister when her husband died. He was six foot six. He was a retired federal judge. And she and I were putting him into this casket."

"He died in Mexico?"

"Yes, and they wouldn't let her bring him back. We were putting him in this casket and it was too small for him. Everytime we would get his head in place so the lid would go on, his feet would stick up. And everytime we would get his feet down in place, well, then his head would go up. And we were having a terrible time. And he was beginning to get stiff."

She stretched out the story.

"And finally I crossed his legs like this." She stuck her legs out in front of the chair and crossed them at the ankles and flexed her knees slightly.

"And my sister was already upset at me. We'd been going round and round already. And I had made her put on his socks. But I said, 'Well, what else can we do?' And so we finally got him in there in just such a way that we could close the lid.

"And we were standing there with the lid shut and my sister said, 'Well I just don't like it. Not with his legs like that. It's just not right.' And I said, 'Well, he's not going to a dance you know.' And we both just busted out laughing."

Someone else spoke. "I didn't know we were going to spend the evening talking about death."

They were all laughing. Except the one at the end of the table. She was trying. But you could tell she didn't think this was as funny as the rest of them thought.

"She doesn't like to deal with death."

"Well, we all have to, you know. And its healthier to laugh about it."

"Yeah, you know, sometimes that's where you hear the funniest stories about people is at the meal after a funeral."

"Well, that's how people deal with it."

The talk shifted to the reason for the meeting ... quilts.

"How did you make that star quilt. The one with the black? Do you have a pattern? I'd sure love to have it."

"Well, you just use a diamond shape. For all the pieces, even the black."

"No, that wasn't the same pattern. It wasn't separate stars like this photo. You couldn't tell where one star left and another started. They weren't side by side. They kinda overlapped."

"Well, you could do that with this pattern. You just make one star like this out of the fabrics you want and then the other star lies right here and you use a fabric that would go with the first one so that depending on how you looked at it, you see stars."

"Do you all want tea or would some of you like water?"

She brought in tea and then she brought in plates with angelfood cake and strawberries.  There was a fork on each plate and one of them wondered how she'd be able to slurp up the strawberry juice with her fork. She looked again at her plate and decided that perhaps the cake would help soak up the red juice.  She liked the juice and didn't want to leave it on the plate.

"These plates are so pretty! They're just lovely." They all admired the painted china.

One of them risked spilling the juice and held her plate up high enough to see the bottom. If she knew that was improper etiquette she ignored the idea. "Don't break 'em, ladies, they're numbered and dated. These are really nice plates."

They all oohed and aahed and the discussion turned to plates and children and grandchildren.

.

Wednesday, August 10, 2011

Three Little Ladies Find New Homes

One of the side-effects of having cancer is that you realize it's time to down-size things in your life. So I'm lightening the load, downsizing, getting rid of "stuff".


In the past week three vintage sewing machines have left our house to take up residence elsewhere.


"Three?" you ask?


Yes, three. And I still have four left. Maybe five, but I can't remember what I did with that fifth one.


Once upon a time I had thirteen. Now I'm down to four (or is it five? Where IS that fifth machine???)


That teal green machine? That's a 1950-ish Viking Automatic 21. Beautiful zigzag stitches. Made in Sweden. Heavy, heavy, heavy. Manufactured before they began using those dratted plastic gears. Everything was metal on this baby. Made to last. This machine has an open arm making it extremely easy to stitch cuffs, hem pant legs, etc. It also has a small work surface that snaps into place when you don't need the open arm. Cool! This machine has been affectionately named "Ingrid" because of her Swedish heritage.


The black one? That's a Singer 201. I named it "Leona" after its original owner. Probably manufactured in 1940-1950. This was a gear-driven (versus belt-driven) machine that had plenty of power and speed. No zigzag, though. Just a straight-stitching machine that, if kept cleaned and oiled, will perform forever. Quilters love this machine because it will sew and sew and sew. And when you are not quilting, it will tackle hemming blue jeans with ease.


And the two-tone? That's a Singer 301A, manufactured probably in the 1960s. I could look up the serial numbers and be able to pinpoint the manufacture date a little closer, but I'm too lazy to do that. The 301 is a straight-stitch only machine. It's beauty lies in its light weight...approximately eleven pounds. AND it has a nifty, fold-down handle on top. This model came in three colors, black, taupe, and the two-tone you see here. Like the 201, it is a gear-driven machine...no belt. Plenty of power. Plenty of speed. Quilters love this machine because it is so handy to carry to quilting class.


So what do I have left in the house? A Singer 15-91 (my main machine), a Singer 403 (my only zigzag machine), a Singer 221 Featherweight (which I will probably never get rid of...it was a gift from Hubby), and a Singer 66 in an oak parlor cabinet (a gift from a quilting buddy in Ohio).


Oh, yeah, the fifth. I had two Singer 301s. I think I took that one to the thrift shop. But no matter...I know where there is a third Singer 301 just like it that wants to come live at my house.